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Join us in celebrating our parenting/caregiving community at UCLA. The BPS x SwD End of Year centers the theme "Rooted in Community" honoring collective care, connection, and support systems that make student parent success possible.

2026 UCLA Celebration of Iranian Cinema Please note: Registration does not guarantee does not guarantee entry if the event reaches capacity. Admission is granted on a first come, first served basis. Patrons who have registered will need to obtain their free tickets at the box office, where seating will be assigned. Any seats remaining 15 minutes before showtime will be released to standby patrons. Screening 1 of 3 Son Year: 2024 Country: Iran Language: Kurdish with English Subtitles Runtime: 15 min. Digital. Color. Farhang Short Film Festival Audience Choice Award winner In a village in remote Iranian Kurdistan, an old mother waits for her son to return from military service. When he doesn’t arrive as expected, she sets out to find him only to discover a truth about his identity that will change their lives forever. DCP. Director/Screenwriter: Saman Hosseinpuor. With: Maryam Boubani, Kurosh Ahmadi, Kianoosh Farzin. Screening 2 of 3 Between Dreams and Hope Year: 2025 Country: Iran Language: Persian with English Subtitles Runtime: 106 min. Digital. Color. A frequent collaborator with filmmaker Ali Asgari, writer-director Farnoosh Samadi centers the inequity and injustices faced by Iranian women in much of her work. In her second feature behind the camera, Samadi expands her frame to include Azad (Fereshteh Hosseini), a trans man, longing to start his life with his lover Nora (Sadaf Asgari), but who must confront his estranged father before he can. Hosseini and Asgar (another Asgari film regular) deliver deeply affecting performances in a story that is by turns tender and harrowing about the power of love over hate. DCP. Director/Screenwriter: Farnoosh Samadi. With: Fereshteh Hosseini, Sadaf Asgari, Hooman Rahnemoon. Screening 3 of 3 The Great Yawn of History Year: 2024 Country: Iran Language: Persian with English Subtitles Runtime: 93 min Digital. Color. Part adventure story, part mystical allegory, director Aliyar Rasti’s The Great Yawn of History begins with an eccentric job interview. Beitollah (Mohammad Aghebati) drops dollar bills with his contact information around the city, then interviews anyone who calls about their belief system. Answering that he believes in nothing, Shoja (Amirhossein Hosseini) gets the gig: following Beitollah deep into the Iranian desert to find a box of gold coins he saw in a vision. Rasti’s debut feature won the Special Jury Award in the Encounters section of the Berlin International Film Festival for its exploration of faith and greed set against the hardscrabble landscapes of a depopulated rural Iran. DCP. Director/Screenwriter: Aliyar Rasti. With: Mohammad Aghebati, Amirhossein Hosseini, Saber Abar. Location: Billy Wilder Theater

UCLA Financial Aid & Scholarships will be closed for in-person assistance on Tuesday, June 9, 2026. Students and families may contact our office via Message Center or our Phone lines from 10am-3pm. Please visit our contact us webpage for additional details. Location: A129 Murphy Hall

Take a finals break at Charles E. Young Research Library and make your own custom button! All supplies are provided—just bring your inspiration. De-stress and walk away with something you made yourself! Location: Charles E. Young Research Library

Virtual Option Added! Due to extensive interest in the UCLA Teaching Symposium, a virtual option is now available for the keynote address and faculty panel discussion. The afternoon sessions will only be available to in-person attendees. Please register to attend by June 5. All members of the UCLA community are welcome to join the symposium’s virtual sessions. For questions or additional information, contact help@teaching.ucla.edu. The UCLA Teaching and Learning Center’s inaugural symposium will provide a forum for dialogue on the impact of emerging technologies. Presenters and participants will thoughtfully address AI’s evolving role in teaching and learning from a variety of perspectives, and live demonstrations will showcase various tools for responsibly integrating AI into courses. The symposium will include: Keynote Address by Terence Tao Terence Tao, professor and the James and Carol Collins Chair in the UCLA College of Letters and Sciences, will examine the implications of AI in higher education. Learn more about the keynote speaker. Panel Discussion A group of faculty experts will illuminate the implications of AI’s presence in higher education. Concurrent Sessions Flash talks and roundtables will showcase examples of how instructors have developed and integrated AI tools. Technology Exposition and Social Hour Hands-on demonstrations to explore AI tools for teaching and learning. Location: https://survey.it.ucla.edu/jfe/form/SV_9HMQVlGXSy3TcxM

UCLA F-1 visa students, do you want to know more about off-campus employment authorization? Join us on one of our weekly CPT webinars hosted by the Dashew Center staff to learn more! Location: https://ucla.zoom.us/j/95322790676

We’ve got your study essentials covered! Stop by the GSRC to pick up your Bruin necessities and get set up for a productive study session! Location: Graduate Student Resource Center (SAC B11)

2026 UCLA Celebration of Iranian Cinema Please note: Registration does not guarantee entry if the event reaches capacity. Admission is granted on a first come, first served basis. Patrons who have registered will need to obtain their free tickets at the box office, where seating will be assigned. Any seats remaining 15 minutes before showtime will be released to standby patrons. Screening 1 of 2 Where the Winds Die Year: 2021 Country: Iran Language: Persian with English subtitles Runtime: 13 min. Digital. Color. Farhang Short Film Festival 3rd prize winner A Kurdish city in western Iran, Sardasht was the target of a chemical weapons attack in 1987. Director Pejman Alipour captures the moment the city’s peaceful calm was shattered in this powerful, watercolor-style animated short. DCP. Director/Screenwriter: Pejman Alipour. Screening 2 of 2 Black Rabbit, White Rabbit Year: 2025 Country: Tajikistan/United Arab Emirates Language: Tajik, Persian and Russian with English subtitles Runtime: 139 min. Digital. Color. Tajikistan's submission to the Oscars for Best International Feature Film, Black Rabbit, White Rabbit finds writer-director Shahram Mokri working at the top of his cinematic game. On a film set for the remake of a classic Iranian film, the crew’s armorer worries that a prop gun may not be what it seems and a mysterious young woman arrives to demand an audition. Meanwhile, at a well-appointed villa, a woman recovering from a car accident discovers she may be the target of a murder plot. In Mokri’s inimitable style, long camera takes and elliptical editing blur time and space, visions and reality, history and fiction. DCP. Director: Shahram Mokri. Screenwriters: Shahram Mokri, Nasim Ahmadpour. With: Babak Karimi, Hasti Mohammaï, Kibriyo Dilyobova. Location: Billy Wilder Theater

Join us in celebrating 28 years of Lavender Extravaganza on-campus at Korn Convocation Hall on Saturday, June 13th from 1:00pm-3:00pm! Registration is open through May 22nd for all undergraduates, graduate, and professional students who would like to participate as a celebrant and be recognized for their achievements at UCLA. There is no limit to guest tickets for students who would like to invite family, friends, and loved ones to attend. Location: Korn Convocation Hall

2026 UCLA Celebration of Iranian Cinema Please note: Registration does not guarantee entry if the event reaches capacity. Admission is granted on a first come, first served basis. Patrons who have registered will need to obtain their free tickets at the box office, where seating will be assigned. Any seats remaining 15 minutes before showtime will be released to standby patrons. In person: curators Arta Barzanji, Hadi Alipanah (via video) Cinema-ye Azad, or Free Cinema, was an underground movement of filmmakers in Iran that began in 1969, with the explicit aim of creating a fully independent cinema opposed to the mainstream “Filmfarsi” in both form and content, methods and ideals. Where the better-known, contemporaneous Iranian New Wave predominantly consisted of foreign-educated, Tehran-based middle-class filmmakers, Cinema-ye Azad consisted of self-taught filmmakers, sharing resources and knowledge with one another to bring the possibility of cultural production to disadvantaged provinces. At its height, Cinema-ye Azad boasted hundreds of active members, a critical magazine and festivals around the country, but the dream was short-lived as the movement ceased activities after the revolution. Its works, however, are being rediscovered thanks to the dedication of curators and archivists in London and Iran. As part of this year's UCLA Celebration of Iranian Cinema, the Archive is pleased to present two screenings highlighting the films of two key Cinema-ye Azad figures, Nasib Nasibi and Behnam Jafari. Program curated by Arta Barzanji and Shaghayegh Raoufi with research and archival support from Hadi Alipanah. Film notes written by Arta Barzanji. Screening 1 of 2 From Isfahan to Abarkooh Year: 1970 Country: Iran Language: Persian with English subtitles Runtime: 23 min. Digital. B&W. A report on historical buildings, legends and traditions along the route from Isfahan to Shiraz, passing through regions including Mahyar, Shahreza, Ziaratgah, Aminabad, and Izadkhast. The film mixes documentary observation with the poetic vision seen in Nasib Nasibi’s later works. DCP. Director: Nasib Nasibi. Screenwriters: Nasib Nasibi, Abbas Nalbandian. With: Bahram Ardabili. Screening 2 of 2 How Frightening Is the Darkness of the Soul! Year: 1972 Country: Iran Language: Persian with English subtitles Runtime: 60 min. Digital. B&W. How Frightening Is the Darkness of the Soul! is an avant-garde film poem about drowning in a world of madness in search of true liberation. It highlights the close connections between literary and theatrical circles and the filmmaker's approach to avant-garde cinema. Initially, the main character attempts to escape the monotony of daily life by immersing herself in a world of madness. The film is a journey through the path she takes. Director: Nasib Nasibi. Screenwriters: Nasib Nasibi, Abbas Nalbandian. With: Mahvash Bargi, Farhad Majd Abadi, Shokooh Najm Abadi. Location: Billy Wilder Theater

2026 UCLA Celebration of Iranian Cinema Please note: Registration does not guarantee entry if the event reaches capacity. Admission is granted on a first come, first served basis. Patrons who have registered will need to obtain their free tickets at the box office, where seating will be assigned. Any seats remaining 15 minutes before showtime will be released to standby patrons. In person: curators Arta Barzanji, Hadi Alipanah (via video). Cinema-ye Azad, or Free Cinema, was an underground movement of filmmakers in Iran that began in 1969, with the explicit aim of creating a fully independent cinema opposed to the mainstream “Filmfarsi” in both form and content, methods and ideals. Where the better-known, contemporaneous Iranian New Wave predominantly consisted of foreign-educated, Tehran-based middle-class filmmakers, Cinema-ye Azad consisted of self-taught filmmakers, sharing resources and knowledge with one another to bring the possibility of cultural production to disadvantaged provinces. At its height, Cinema-ye Azad boasted hundreds of active members, a critical magazine and festivals around the country, but the dream was short-lived as the movement ceased activities after the revolution. Its works, however, are being rediscovered thanks to the dedication of curators and archivists in London and Iran. As part of this year's UCLA Celebration of Iranian Cinema, the Archive is pleased to present two screenings highlighting the films of two key Cinema-ye Azad figures, Nasib Nasibi and Behnam Jafari. Program curated by Arta Barzanji and Shaghayegh Raoufi with research and archival support from Hadi Alipanah. Film notes written by Arta Barzanji. Screening 1 of 5 Abandoned Heights Year: 1972 Country: Iran Language: Persian with English subtitles Runtime: 18 min. Digital. B&W. Every day, a young man plays his trumpet from the top of a half-finished building while facing the city. Ambiguous happenings around him suggest the outlines of what may lurk below the peaceful surface of society. DCP. Director/Screenwriter: Behnam Jafari. With: Nematollah Gorji, Ahmad Amini, Hassan Seifi. Screening 2 of 5 Scream (Vol. 2) Year: 1972 Country: Iran Language: Persian with English subtitles Runtime: 13 min. Digital. Color. This satirical collage of Iranian cinema stages a confrontation between the ethos of the commercial “Filmfarsi” and the artistic ambitions of the New Wave cinema. In a direct reference to Cinema-ye Azad, the film ends with the arrest and exile of young amateur filmmakers from professional cinema. DCP. Director/Screenwriter: Behnam Jafari. With: Khosrow Haritash, Said Oveissi, Zari Khoshkam. Screening 3 of 5 Let Us Live Year: 1972 Country: Iran Language: Persian with English subtitles Runtime: 13 min. Digital. Color. This film follows the restless lives of two young pickpockets through the labyrinth of seedy streets and shadowy alleyways, in a world where every day ends in triumph or ruin. DCP. Director/Screenwriter: Behnam Jafari. With: Davood Teymouri, Naser Tarighat, Ghazal Irandoust. Screening 4 of 5 Tell the Watchmen Not to Let Sleep Deceive Year: 1970 Country: Iran Language: Persian with English subtitles Runtime: 20 min. Digital. Color. A social portrait of two young lovers that reflects the larger prejudices of society. DCP. Director/Screenwriter: Behnam Jafari. With: Farhad pour Azam, Shirin Jannesari, Behrouz Razavi. Screening 5 of 5 MirNasir and the Ill-Fated Genie Year: 1974 Country: Iran Language: Persian with English subtitles Runtime: 67 min. Digital. B&W. In his cinematic debut, Saeed Poursamimi plays a former inmate who frees a genie from a bottle. After thousands of years of captivity in the bottle, the genie finds himself in a world that has been completely transformed by its people’s beliefs. The two embark on a bitter journey to find the remnants of the forgotten magical realm. Director Behnam Jafari uses stark visuals and provocative metaphors to explore the impossibility of relying on traditional myths in the face of a new world. DCP. Director/Screenwriter: Behnam Jafari. With: Saeed Poursamimi, Hamid Taati, Mohammad Poursattar. Location: Billy Wilder Theater

2026 UCLA Celebration of Iranian Cinema Please note: Registration does not guarantee entry if the event reaches capacity. Admission is granted on a first come, first served basis. Patrons who have registered will need to obtain their free tickets at the box office, where seating will be assigned. Any seats remaining 15 minutes before showtime will be released to standby patrons. In person: director Parviz Sayyad, actor Mary Apick. Screening 1 of 2 Checkpoint Year: 1987 Country: U.S. Language: English and Persian with English subtitles Runtime: 91 min. 35mm. Color. During the height of the 1979 Iranian hostage crisis, a busload of Iranian college students returning to the U.S. after a field trip in Canada are thrown into political and legal limbo when they’re refused entry at the border. A ripped-from-the-headlines urgency drives writer-director Parviz Sayyad’s Checkpoint as the students split along factional lines in their struggle to reclaim their rights and dignity. Executive producer Mary Apick also leads a committed ensemble cast that never loses sight of the fragile, individual humanity ever at risk amid grand ideological clashes. Director/Screenwriter: Parviz Sayyad. With: Mary Apick, Houshang Touzie, Parviz Sayyad. Screening 2 of 5 Dead End Year: 1977 Country: Iran Language: Persian with English subtitles Runtime: 95 min. Digital. Color. This provocative film stars Mary Apick as a young woman who is drawn to a mysterious suitor haunting the dead-end street where she lives, only to discover that he is not what he seems and she and her family may be in danger. A giant of Iranian cinema, writer-director Parviz Sayyad rose to fame as the star of the commercial Samad film and television series before producing some of the key works of the Iranian New Wave, including films by Sohrab Shahid Saless, Ebrahim Golestan and Dariush Mehrjui. Based on a short story by Anton Chekhov, Dead End plays with themes of voyeurism and surveillance in a society on the verge of radical transformation. DCP. Director: Parviz Sayyad. Screenwriter: Parviz Sayyad, Houshang Baharlou. With: Mary Apick, Parviz Bahador, Apick Yousefian. Location: Billy Wilder Theater